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Lost and Found |
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for Ensemble (11 instruments)
1) Vertigo
2) Uncle Neil
3) My old Shoes
complete recording on soundcloud.com here |
2018/19 |
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wie ist die welt so stille |
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for soprano solo and five-voice women's choir
dedicated to Traudl Schmaderer und Voceterna |
2016 |
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come closer
three movements for Pipa and String Quartet |
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dedicated to Huikuan Lin and the Pacific Quartet Vienna |
2014/15 |
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This is the show
(based on a text by Samuel Beckett) |
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(for soprano and double bass clarinet) |
2014 |
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An Joseph Roth
(version for trombone) |
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for trombone |
2014 |
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vielleicht wüßten wir (maybe we knew)
(based on a text by Joseph Roth) |
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for violoncello and playback |
2013 |
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An Joseph Roth |
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for clarinet |
2011/2012 |
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Der blinde Spiegel (the blind mirror) |
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for string quartet (dedicated to Joseph Roth) |
2011 |
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complete recording on soundcloud.com here |
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nec sine te nec tecum |
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for soprano, flute and guitar |
2007 |
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Sie saß in der Nachmittagssonne und rauchte
(smoking in the afternoon sun) |
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for clarinet, piano and vibraphone |
2006 |
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mes adieux – for Wolfgang Stryi |
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for clarinet and piano |
2005 |
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complete recording on soundcloud.com here |
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Die späte Welt (the late world) |
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seven pieces for mixed choir, soprano, mandoline and double bass |
2004–2006 |
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complete recording on soundcloud.com here |
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Dieses obskure Objekt der Begierde
(this obscure object of desire) |
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eight miniatures for soprano |
2003 |
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Gold und Silber (gold and silver) |
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for alto saxophone and organ |
2002 |
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Ein Fallen im Wind (falling in the wind) |
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fragment for voice and string quartet |
2002 |
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the penrose piano book of pentatonic secrets |
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for piano |
2000/01 |
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complete recording on soundcloud.com here |
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Komm, o Tod, du Schlafes Bruder
(come, o death, you brother of sleep) |
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for mixed choir |
1998/99 |
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complete recording on soundcloud.com here |
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La Vie c'est Ailleurs – Hommage à Marcel Proust
(life is elsewhere) |
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for soprano and ensemble |
1996–98 |
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complete recording on soundcloud.com here |
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Wandlung in Es (mutation in E-flat) |
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for brass band |
1995 |
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Walk softly |
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for five clarinets |
1994/95 |
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Die Sieben Winde (the seven winds) |
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phantome canon for flute and playback |
1993/94 |
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Rag Khammaj |
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instrumentation for sarod und orchestra |
1991 |
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Stau (traffic jam) |
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for ensemble |
1990 |
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Mit geschlossenem Munde zu singen (humming) |
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for mixed choir |
1989 |
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Guten Tag, haben Sie zwanzig Minuten Zeit?
(Hello, do you have twenty minutes?) |
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for Fl, Ob, Kl, Vl, Va, Vc, Db |
1989 |
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Tod. Richtkraft. |
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three Hölderlin-fragments for Mezzosoprano, Vl, Va, Vc and playback |
1988 |
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Auf der Milchstraße wieder kein Licht
(again no light on the milky way) |
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for male voice, 2 Saxes, Git, Klav, Perc., Tr, Tromb.
based on poems by Rolf Bossert |
1988 |
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Alphabet 87 (für Morton Feldman) |
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for violin |
1987/88 |
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complete recording on soundcloud.com here |
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KadenzTanz (cadence dance) |
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for bass clarinet |
1986 |
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Findling (foundling) |
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for piano |
1985 |
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Deutsche Reste Nr. 1 (german leftovers nr. one) |
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for chamber orchestra |
1984 |
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Mein Schneckenhaus – Fühler raus! (my snailhouse) |
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for 4 voices, 4 instruments and playback |
1982–83 |
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Durchbruch (breaking through) |
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for 2 choirs, 6 solo voices, tr, tromb. and 2 perc. |
1979 |
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Mein Schneckenhaus – ein unfertiges Stück
(my snailhouse – an unfinished piece) |
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for ensemble |
1977 |
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Schattenformen (shadows) |
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for two choirs and playback |
1975/76 |
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Emomatsch |
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tape collage |
1975 |
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